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    Civil War director Alex Garland materializes in a Zoom window, against a junket-room backdrop as black as outer space. He is 53, salt-and-pepper-bearded, and characteristically dour. It’s just past noon on a Wednesday; he’s been in an L.A. hotel suite all morning doing back-to-back-to-back interviews with reporters about Civil War, and when it’s suggested by his latest interlocutor that his day’s probably been a whirlwind already, he responds with a slight clarification: “It’s been a fucking...
  • Alex Garland's 'Civil War' will make you not want to be a journalist

    Consider this post about “Civil War,” which opens today, a warning. “Civil War” is a good movie, and it represents a return to form for “Ex Machina” and “Annihilation” director Alex Garland, whose last film (“Men”) was so poorly received by his fan base that they’ve chosen to forget that it was ever made. But “Civil War” is also a movie about journalism. Photojournalism, specifically. It’s about the process of visually documenting a country at literal war with itself, and about the toll it takes...
  • Alex Garland’s ‘Civil War’ Is an Explosive Warning Against a Trump Takeover

    A24American democracy seems to be teetering on the brink of collapse, and writer/director Alex Garland exploits that feeling for unbearably despairing suspense and censure with Civil War, a vision of a near-future in which the United States is no longer united. Less interested in devising one-to-one parallels with our present than with laying bare the catastrophic consequences of the division, hatred, and apathy that currently run amok from coast to coast, the Annihilation and Men auteur’s...